I was practicing my serve at the local park when I overheard a coach on the adjoining court tell her student something to help her feel the correct move to the trophy position.
“Take your arm up with the racket facing somewhat forward and somewhat down. So, as you go up the lid is closed. Then, as your arm goes up, you open the lid going back and then close the lid as the racket moves forward to strike the ball.”
The lid is closed going up…
That, of course, reminds me of Andy Roddick. Like I wrote in Tennis thing, the book, Roddick’s motion appeals to me.
It’s short, purposeful and has no extra movement.
But, back to the coach. I figured it would be good to get her contact info in case I wanted to grab a lesson with someone who sees the serve like I do, so close to home. So, I sat in the bleachers editing a short story I’m working on. The coach and the student continued to work, alternating between rallying and the student serving, or trying to serve, to the pro.
Finally, the pro said, “Let me serve to you. Go ahead and return my serve if you can but mostly I want you so watch my motion. Watch the lid open and close.”
Then I heard what sounded like a yelping dog. Since there’s a dog park near the courts I looked up to see what happened. But, then I realized the sound came from the other way.
It came from the coach.
Yup, the coach barked like a dog when she served.
Nope, she wasn’t kidding.
Nope, I didn’t stick around to get her contact info.
Those of you who’ve read Tennis thing know I started out tennis with a two-handed backhand. My coach Caesar said, “I don’t care what you do after you’ve played for a year but I’d like you to start out hitting your backhand two-handed.”
I was game but I soon found the two-hander less than pleasant. During my third or fourth lesson I asked if I could try to hit my backhands with one hand. Caesar patiently showed me the basics (he plays a one-hander) and I soon found the whole deal more intuitive and less physically challenging. The one-hander also helped to create a more effective shot. What’s not to like?
“You hit a natural slice, mate. And, we’re going to build on it. We’ll add the topspin backhand when the time comes.”
Justine Henin…accept no imitations.
I was all in and began to informally curate a collection of the best one-handers I could find. My favorites, then and now, belong to Gregor Dimitrov, Stan Wawrinka, Roger Federer and the owner of the one-handed backhand of the gods, Justine Henin. If aesthetics matter, and they always do, there’s no comparison between the one and two-hander. As a wise person on the internet once said, “The two-hander has all the elegance of a monkey wrench.”
Then, a couple things happened in a relatively close span of time. I managed to hurt my right wrist somehow. This happened about the same time as I began to learn and practice the topspin one-hander and exactly the same time I was hitting against the wall, a lot. The cherry on the sundae was Stew From Brisbane, my sometimes hitting partner whom I know from Brookside in Pasadena.
To me, Federer’s backhand is second only to Henin’s.
Stew’s 60, three years younger and leaner than me. He’s played for no less than 50 years and is a very solid player. Stew also likes to hit hard pretty much from the jump, which is not my style. He means no harm and I really like him. But, his shots to my backhand, especially the deep and high balls, ate my fledgling one-hander alive in addition to taxing my already-tender wrist.
I did a little soul searching while I had a week off from my lessons with Caesar. By the time we were back at it I had decided to make the big switch to the two-hander.
Before I did I conferred with the MIB himself back in Michigan. “Paulie,” MIB said. “I’ve tried going two-handed at least twice but I always go back.” Various internet gurus cautioned against making the switch especially for players who are older (40+, ha!) and who took up the game later in life.
One guess who that describes…
But, I did it anyway and it’s been fairly brutal. For me, the two-hander is an exceptionally difficult shot. Yes, high balls are somewhat easier but in total it’s a far harder shot from a purely physical standpoint. Sometimes, when I’m tired and the ball’s out wide, I will resort to my one-handed slice. Caesar always catches me and says the same thing. “Hitting your slice is Ok but start two-handed and go one-handed as your stroke begins going forward.”
As if I have time to do all that.
When my baseball career was on life support I made a last ditch effort to teach myself to hit left-handed. It wasn’t a bad idea. A lefty has a little bit of a head start to first and I thought it made me look like the kind of player who would try anything to be more versatile. It changed the way I saw the ball and I found power where I didn’t from the other side of the plate and lacked power where I had it as a right-handed hitter. It was weird, just like the two-handed backhand.
Today is the first time I’ve put the sequence of the change and the factors that informed my switch together in my head. Don’t ask me why it’s taken me so long to see the threads. But, now that I have I think I will stick it out with the two-hander for now. I keep hoping for a breakthrough. Maybe next week or next month. Anything is possible.
I’m not sure who said that but I am fairly sure it’s true. The best sports writing is about golf, of this I think there’s little doubt. The reason for that is simple. Golf writing is either about hero worship, which never gets old, or tragedy, which also never gets old or both.
Think about the boredom of writing about ordinary good golf:
“And then our hero hit another ball into the middle of the fairway. Then he hit another ball into the middle of the green. Then he made another putt.”
Now try this: “Our hero was nervous as he stood on the 10th tee, a tricky dogleg left. Memories of snap hooks into the woods bedeviled his mind as the wind swirled from right to left. He was already three shots behind the leaders with the hardest holes on the course still to be played. He hit a towering drive that was no more than ten feet left of his target line, but the wind freshened right at contact and the ball drifted left of the tree line before it vanished from view. Ten minutes later after having to strip down to his underwear in order to play his second shot from a pool of swamp water, the resulting ball miraculously caroming off a greenside tree into the center of the green, our hero unceremoniously sunk a ten-footer for birdie.”
A tennis ball is a bit larger than a golf ball and my early reading suggests that writing on tennis is Ok, but surely not to the level of good golf writing. One problem, I think, is the nature of the action. Too little describable time passes between tennis shots to delve into a player’s mindset. But now I am getting caught on a tangent.
I’m reading these three tennis books. In a couple weeks, I’ll review them. Technical Tennis is the most interesting, surprisingly, though the writing of David Foster Wallace’s String Theory is undeniably excellent and the story of Pancho Segura’s life in Little Pancho is as improbable as it is true.
Tennis thing 